Ordered by article count:     Michael Mendones   admin   Chris Underwood   Travis Seewald   Rory Allen   Nicholas Marsh   Diane Morrison   Jonas Andersson   Dan Glass   Tine Blom   Keith Haworth   Hannah Brassington   Vicky Nagy   Shun Louis Bellieni   Nadine Jarvis   Björn Schütrumpf   Sol Nicholson   Saem Lee   Padraig O'Connor   Mike Whelan   Matt Ward   Lisa Chen   Kirk Coffey   Jonathan Buchan   Jaimes Nel       Are all . . .


Mi Estrellita es Triste, pero Adios

By Michael Mendones

Fondue Set, Water, Vocals, Gamelan, Songstone, Thundertube, Chinese Clarinet, Caixa, Bowed Berimbau, Tin Whistle, Saw, Tablas, Bongos, Djembe and Pote.



Middle Distance

By Chris Underwood

Another poem.



What is this thing called multiculturalism?

By Rory Allen

A response to Melanie Phillips



God, sex and global warming

By Rory Allen

What the Christian right will be saying next.



Shiroyama

By Chris Underwood

Just something I wrote at around 1.30 a.m



Cruci-un-fix-able

By Chris Underwood

This is a poem not so much inspired by recent events in my life as it is a direct product of them. It’s intended as part of a collection of poems entitled “Love, Honour and Obey” which I hope to have finished sometime early in the new year.



Form is a cage in which to trap Meaning

By Michael Mendones

Electric handblender, jaws harp, saw, tablas, glockenspiel and radio-controlled helicopter music



Raga on a Five-Stringed Guitar

By Michael Mendones

A Meditation/ Fugue



A Madman Stole my Drums

By Michael Mendones

my Djembe, my Tablas, my Bongos, my Flute and my Tibetan cymbals - and proceeded to thrash the hell out of them with a drumstick for samba drums! How inconsiderate…



The Heath

By Michael Mendones

Even more spacious


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London: a psychogeographic excursion

By Jonas Andersson


Welcome to London: we don’t really have skyscrapers, we have psychogeography. Ruminations on two web-mediated observations of this great city.


It is exciting to live here; so much history in a few square miles. I just found out that London School of Economics & Political Science had recently re-published an updated version of the highly influential ‘Descriptive Map of London Poverty’ by Charles Booth from 1898-99. This updated version displays an interactive version of Booth’s original map online, alongside a contemporary Ordnance Survey map, which makes for an exciting historical comparison! For example, noting the area around Goldsmiths College, one notices that surprisingly little has changed. Dan Hill notes how The Economist, in their article on the publishing of this map, had picked up on the fact that there is a consistency of place even within a city in as apparently constant flux as London. What is perhaps more striking, though, with Booth’s map is what Hill mentions was the deliberate method of taking a “necessarily impressionistic” approach to judging streets. His researchers simply walked all over London, noting down what they saw — from the shape of the streets to the tiniest details of flotsam and jetsam of living — as well as talking to people. The streets were then coded — sometimes with facets like viciousness! — and mapped. [...] For all their lack of validity, ethics or scientific rigour, they are often far more detailed, ironically, and the subjective personal views therein often provide engaging hooks upon which to hang your own constructed response to the city.Speaking of: Elsewhere on the web, the wonderfully esoteric Archeology of…



Human Train

By Nicholas Marsh


image


So I hate getting on a packed commuter train same as everyone else, but I love it when you get off, look back and realise just how packed it was. In this case (and I caught the photo quite late) it looks like the total volume of commuters is significantly larger than the total volume of the train they’ve just got off. I think this is actually true, I’ve always suspected that London commuter trains defy the accepted laws of thermodynamics, and finally, here’s the proof. 



Daybreak Page Five

By Chris Underwood


The fifth page of another piece of micro-fiction in the style of my ealier Words in Freedom poetry.




The Ultimate In Unethical Design

By Vicky Nagy



How much responsibility designers have towards society? How much responsibility can be expected? Beliefs or ethics and where is the line? The object that started this line of questioning is sad and terrifying.


I came across this designed object that is a propaganda machine, literally. “A popular 1926 exhibit from the American Eugenics movement reads, “Some people are born to be a burden on the rest. Learn about heredity. You can help to correct these conditions.” Five panels are displayed, with flashing lights on them. The top one is captioned, “This light flashes every 15 seconds. Ever 15 seconds $100 of your money goes for the care of persons with bad heredity such as the insane, feeble-minded, criminals, and other defectives.” Under “America needs less of these,” there is a light that flashes every 48 seconds—“Every 48 seconds a person is born in the United states who will never grow up mentally beyond that stage of a normal 8 year old boy or girl”—and one that flashes every 50 seconds—“Every 50 seconds a person is committed to jail in the United States. Very few normal persons ever go to jail.” Under “America needs more of these,” there is a light that flashes every 16 seconds—“Every 16 seconds a person is born in the United States”, and another that flashes every 7 and a half minutes—“Every 7 1/2 minutes a high grade person is born in the United States who will have ability to do creative work and be fit for leadership. About 4% of all Americans come within this class.” These flashing-light exhibits were very popular at American eugenics exhibitions, and smaller, more portable versions were made to show everyone how rapidly all…



Hard Drive

By Chris Underwood


This is the seventh, and at the moment final, piece in a short series of Futurist inspired Words in Freedom soundscapes. Our home and work experiences are now so dominated by and focalised through the presence of computers and this piece attempts to mimic the sound of a computer accessing data, a series of noises that has rapidly become the unofficial musical accompaniment to contemporary life. 




The Picnic! It was Super Fun!

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The Picnic was a huge success! We had amazing music, free sandwiches, spontaneous poetry , answersquestions, musical chairs, pass the parcel, a minature protest, sandwich making, a book sh(w)op, Hacky Sack, Juggling and more!


Read more >>>




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Response to: Drink The Potion

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Response to: Disscourse Analysis over Kurt Cobain

Comment by: Lisa

Nice coincidence to see this article..I was listening to a Nirvana cd and yesterday I checked out ‘The Last Days’.…


Response to: Stereotypes of men film directors in women language

Comment by: lisa

Hello Nicola, no problem, I will send this to you, I’m glad you find it interesting!


Response to: Off Limits Performances (Part 1)

Comment by: nick

Wow, toby, you are soooo intense! Where does it come from you crrrrazy dood!? WTF!? ;) c u l8r m8!…


Response to: Porkfish and Fat Cats

Comment by: Lisa

’unusual grunting sound underwater.’ I think it’s probably kind of like the sound the NatWest CEO makes when he’s jerking…


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Response to: one to do it

Comment by: Cat

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Response to: domestic traffic

Comment by: Cat

and was that a meal with the family? you remind me of the way i write ... i’d never link…


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